In today’s podcast we are joined by Steve Anderson PhD, an associate professor of cinematic arts at USC. We discuss the depiction of computers and surveillance in Hollywood films and the many factors, such as the need to tell a visual story and the convenience of certain props, that contribute to Hollywood’s often skewed portrayals. We also identify ways in which Hollywood both over and underestimates the power of technology and examine the inability of most films to make strong systemic critiques or imagine anything other than a human-centric future. Lastly, we look at Hollywood caricatures of both gamers and television viewers and ask if economic incentives might be partially to blame. Along the way, we mine the archive of old films and learn about some of the more fun and bizarre examples of super computers that have shown up in the history of cinema.
Projects by Steve Anderson
- SHORT FILM: Screening Surveillance
- Technologies of Cinema
- Critical Commons
- Bad Object 2.0: Games and Gamers
Movies and TV
- Colossus: The Forbin Project
- Demon Seed
- Rollerball
- Sex Kittens Go to College
- Desk Set
- Existenz
- Red Hollywood
- Halt and Catch Fire
- CLIP: Mark Wahlberg uses gestural interfaces in Date Night
- CLIP: OJ Simpson uses a supercomputer in Towering Inferno
- CLIP: Chimps playing Pong in Parallax View
Also Mentioned
- Nasa/Trek: Popular Science and Sex in America
- Starring the Computer
- The Subservient President
- CLIP: Tony Blair, George W Bush, and Margaret Thatcher play a Rolling Stones cover
End of Show Plugs
- Review the Future presents Let Go, an indie sci fi comic book
- Scout: Near term science fiction and investigative reporting